Every DJ has had to deal with that annoying audience member who keeps coming up to the decks and asking for ‘a song that has words in it’ or girls on a hen night who demand you play ABBA.
Each time you have to explain ‘that’s not how it works’ and you can’t just play any song that anyone wants.
Conversely, maybe you have had a go on your friend’s decks before and you’re starting to enjoy it but you are wondering what the next step is. One of the first steps on your path as a DJ is getting a USB and creating your own song library that is unique to you.
As a DJ, your song library can be your most important tool to get people dancing, each song is a weapon in your arsenal.
Here’s a guide on how to explain and understand how DJs get their music and why having your own library as a DJ is important.
Why Having Your Own Unique Song Library Is Important
If you are a DJ, you are dealing in songs, beyond mixing proficiency it is the clearest way to make a statement to an audience and differentiate yourself from other DJs.
Back when people still mixed on vinyl, they spent hours flicking through records and digging through crates in the vinyl shops, searching for those gems that no one has heard before but still gets everyone on the dancefloor can be an art in itself.
Beyond how you mix the songs, one of the most overlooked traits in a good DJ is their ability to play to any crowd, no matter what genre or time period that audience represents.
If people want to hear hard techno, you best be prepared, if people want RnB, you need to be able to satisfy that crowd too.
On the other hand, if you’re only into one genre of dance music then you can also still have depth to your song library by embracing all the sub-genres that come under your favored scene.
More importantly, when you are using someone else’s song library you are using songs you aren’t used to or may have never heard before.
Part of becoming a better DJ is letting your own musical taste dictate your style as a DJ, as you should always focus on playing the songs you like to hear and are passionate about.
Crucially, a really important part of mixing two songs is that you know them both individually: the song’s phrasing, its key, its structure, which phrases build up, and which phrases drop the beat, etc.
At the end of the day, you want your songs to be different from the other DJs people have heard. You want to find the songs that people haven’t heard before so you aren’t just playing what other DJs already have.
It shows a certain understanding of music to be able to find songs that people haven’t heard and knowing that they will enjoy them. Understanding how an audience reacts to certain songs is the foundation of becoming a good music producer.
With the digitalisation of music in the late 1990s a whole age of digital piracy started which had its advantages and disadvantages.
One the one hand, if you don’t have the pocket to pay for your favorite music this can level the playing field somewhat, and it can be easy to just pirate your favorite songs from Youtube if you are only performing for yourself.
However, this has some obvious problems both ethically and with quality. Generally if you pirate songs in this way, the sound quality will be much lower. The benefit of paying for music is that you are being rewarded with the highest quality download of that file.
Sound quality is so important to a DJ, lower quality can affect your mixes and the balance of each track, low sound quality also means that larger, more professional, speakers will expose the tracks lack of quality.
No one wins with pirated music as your favorite DJ won’t get any money from your download and it’s important to support others within the music industry.
Where Do DJs Find Their Music?
Now that vinyl shops have been taken over by hipsters and traditionalists, rather than passionate audiophiles, most DJs download their music online.
Online there is a wealth of songs to choose from, from the independent stuff made by the bedroom DJ to the mainstream classics that you can’t leave out of your playlists. Below I have listed some places that DJs find their music and the benefits that come with each.
The most obvious place to get music is from buying a CD physically and downloading the tracks onto your USB, or buying an album online and doing the same.
If you want to buy a classic song, or a song you heard on the radio, these tracks can also be bought singularly online, directly from the record label. Traxsource is a great website to use to purchase mainstream hits and classic releases.
Soundcloud is a streaming platform that often represents the underground subcultures within music. Specifically, its electronic music community of producers and DJs have created a system where you access free downloads directly from your favored Soundcloud producer.
The free exchange relies on affiliate download gates such as Hypeddit which require the customer to promote the artist by commenting on and re-posting the track or following their various social media accounts.
The issue with Soundcloud is that the songs on offer are usually independent edits/remixes or originals from a producer, and not all songs are available for download. If you want mainstream music or classics, then Soundcloud isn’t the place to download these tracks.
Bandcamp is a streaming and sharing music platform that focuses on directly supporting artists by creating a reciprocative environment for new artists and producers. On Bandcamp, most songs and albums are available to download for a small price.
Each artist can choose how much they want fans to pay for the track or the whole album, which sometimes involves a ‘pay what you think it’s worth’ approach where fans can download music for free if they choose to.
Bandcamps approach allows artists transparency and control over their earnings. When you buy music on Fridays at Bandcamp 100% of the profit goes directly to the artist.
Once purchased you can also choose what format you want to download the file in, which is an advantage to the website.
Not only does Bandcamp provide easy and honest ways to support your favorite artists but also serves as a vital part of the underground and independent communities in electronic music as well as other genres.